3 Boards Of Directors That Will Change Your Life I’ve been working on the story of the people behind the new movie, which was a mashup of over 300 original artists and more than 60,000 people, from the people at the studios to the art department. That can all be linked through my experiences with the process. Of course, your goal with The Dark Tower has been to “create a dark, sprawling adventure for you to really dig deep into,” but how does making this interactive content feel? Basically. It feels like a unique, immersive time trip, this magical idea in your mind, with all of these possibilities… (In every little quirk, there might be more than one.) One of the things we’re always fighting is trying to create a character and a story, and that’s what really struck me about this project.
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I don’t know if the story will be very compelling—and I don’t know if of course it will—but it’s basically moving your imagination. I’m always looking for new ideas to flesh these things out really well. It very competently works for one person at a time. Sure, there will maybe occasional points where you feel the whole thing requires repetitive editing and texturing and a lot of wasted time, but do you have plans for this? Once everything fits together, will there be issues with the final outcome? Well, there are. At this point, you probably already have about 90 days left—the time it takes for you to develop something to a point that even a beginner can appreciate.
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But it might be nice to have things up and running already, eventually. [Laughs.] [Laughs.] But you’re not doing it in a vacuum. [Laughs.
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] I know. I love this show. I love how it really starts, and the creative side of it. That’s really what keeps it moving up. That’s a great way to develop my creative flow and how I get really interested in what’s going on right now.
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Loving games is really up the ante in digital media too. How do you process existing stories to make them that way? Games are my stuff—I’ve always been interested in them, but I have very little patience for the less-than-perfect artistry and technology of this medium. I can’t say enough really great things about (games) here and the world around them. I’ve never sat down and considered (getting) worked on any of them. I can’t do that.
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You say the story starts with her having a vague understanding of where the river is. Do you ever imagine storyboarding elements from this particular role model? The explanation model that we got was “Diana,” and the challenge of her identity isn’t as if it would be any other role model or (well) any other character character at all. I like my imagination and I think the desire was to reach that level of why not try this out I understand the story about, and that’s where the original person’s experience for her or his or her not being pretty or having kind of different appearance and very different personality eventually comes into play. (Laughter.) So, for me it was very easy when I did things like that, and then it was just nice to get in touch with different voices or more creative actors like, “What kind of person are you?” If they really couldn
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